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Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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The Day Before Today: Lockdown Stories by Gayatri Gill

The Day Before Today is Gayatri Gill’s debut novel.

She is a producer, scriptwriter...

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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...

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Whose Life Is It, Anyway?

Deepa Gahlot writes in her review of Jodi Picoult’s, A Spark of Life, “Women’s reproductive rights have always been under thr...

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Burden of Joy

After the acclaimed opening of their play a few months ago, co-directors Ila Arun and KK Raina are staging more shows of their play, Tammy Ryan...

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Indian gay film Evening Shadows’ journey unstoppable

Evening Shadows, the multiple award-winning Indian feature film about a son coming out to his mother, is still going strong on the fil...

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‘Evening Shadows’ makes a plea for women to stand up and be heard

While the Hindi feature film Evening Shadows, which is wowing audiences across the world is a film about a gay son coming out to ...

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